L U2′ r2′ F r U’ r U2 L’ [setup: R U2 (R’ F R’ F’) R2 U2 R’]
I’ve been busy lately. Crazy busy! Family. Kids. Work. Travel. Life. Time to take a break and to emerge from the shadows with another quickie slomo video.
This one relates to OLL 35, an OLL I’ve always hated. It’s the “other” big fish OLL — the harder one, with only a center on each of the “tail” sides (rather than center/corner pairs). The standard alg (R U2 R2' F R F' R U2 R') is ok, but I never got a great flow with it.** This “tricked out” version comes by way of Teller West, my co-conspirator in S-slice evangelism (although this iteration altogether ignores S).
Here’s a video showing the execution at full-speed and in slomo:
The toughest part is the U2′, pushed left to right with my right index finger. On locky cubes, that sticks. But if you can get the timing and execution right on the opening L U2′, the rest flows smoothly and effortlessly.
** Actually, the standard alg is really good, and flows quite nicely. I must have focussed on a different alg when I first sat down to learn it.
It seems that iPhone 6 slo-mo videos are all the rage these days. Why not jump on the bandwagon? No doubt slow-motion is useful for teaching new algs and finger tricks. Here’s a quick proof of concept based around my execution of the U-Perms:
Not bad for a phone, eh? Although this was shot under the same light as my other videos, it does appear darker and noisier (with the sensor trying to compensate). It seems that the 240fps frame rate does drop the total light processed by a good 50%. I’ll need to blast it with light next time.
I have an ambitious plan up my sleeves for a video based around the slo-mo feature. But with the clunky workflow (needing to pass the video through the iMovie app before offloading for editing in FCPX), it might be a while before I find a solid uninterrupted block of time for it.
P.S. I just recorded a similar video for the Nb Perm (z D’ (R U’ R2′) D (R’ U D’) (R U’ R2′) D (R’ U R) z’):
I’ve received tons of requests to put together a video showcasing my puzzle collection. I’ve resisted for a while, since I frankly don’t find it that interesting to watch someone talk — and for thirty minutes at that!?! — about their puzzles. But, as one subscriber noted, I do have a few unique cubes in the collection. So, why not? Here’s a video of my puzzle collection as of June 2014:
Just a quick post about the first and only unbxoing on my Youtube channel, showcasing three Moyu cubes: a black Aolong, black Yulong, and colored translucent Yulong:
It’s been a long while since I ordered new 3x3s. Although a lot of new cubes have been released lately, and the few I’ve tried have no doubt impressed me, none have displaced the Zhanchi as king of all things 3×3 (for me). The two that have come close are Cyoubx’ Maru CX-3 and the Moyu Weilong, the older sibling of the Aolong. Both are interesting, but have their flaws. The Weilong is smooth but locky. The CX-3 performs well, but is hard to tension properly and is really square, with almost no beveling on the outer edges. A picky criticism, perhaps, but it does have an odd “hand-feel” because of it. Continue reading →
It’s not weird to have a favorite algorithm, right? I mean, look at unboxing or review videos, and each cuber seems to have a go-to move. For a while now, mine’s been the V Perm — the PLL that (a) swaps opposite corners and (b) swaps the adjacent edges next to them. I hated the V Perm, as I first learned it: R’ U R’ d’ R’ F’ R2 U’ R’ U R’ F R F. That algorithm was clunky, without a good flow.
z D’ R2′ D (R2 U R’) D’ (R U’) (R U R’) D (R U’) z’
Since it’s one of the more complicated executions in my repertoire, I thought it would lend itself to a multi-angle video. I did something similar, when I was still learning the algorithm, and I wanted to update it: